tag:blogger.com,1999:blog-2571473411747931933.post7466613213219394777..comments2023-10-18T06:29:15.356-04:00Comments on SGL: What Would Danny Gatton Do?dougsevenhttp://www.blogger.com/profile/02317019465864644518noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-2571473411747931933.post-41078852237572243682010-09-16T08:15:25.867-04:002010-09-16T08:15:25.867-04:00Doug...One of your videos hit on a 10 second lesso...Doug...One of your videos hit on a 10 second lesson I was given over 40 years ago by the local guitar God. "It's not what you put in, it's what you leave out that will make you stand out as a lead player. One note bent spot on can sometimes be more effective than a 16 note run" <br />Enjoying learning some of the stuff I should have learned years ago when there was no one around to teach me.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2571473411747931933.post-83891482589761079492010-06-08T04:53:15.414-04:002010-06-08T04:53:15.414-04:00Doug, There is so much I wish to say. I think Than...Doug, There is so much I wish to say. I think Thank You sums it up! <br />Have fun and keep up the good work.<br />ChipAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-2571473411747931933.post-11659491679387057252010-06-07T15:20:25.925-04:002010-06-07T15:20:25.925-04:00I have to agree Danny wasn't much for knowing ...I have to agree Danny wasn't much for knowing music theory. He just played what sounded good.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-2571473411747931933.post-63587061842370116142010-06-02T17:49:19.030-04:002010-06-02T17:49:19.030-04:00I don't think Danny would've quite put it ...I don't think Danny would've quite put it that way, but I appreciate it!dougsevenhttps://www.blogger.com/profile/02317019465864644518noreply@blogger.comtag:blogger.com,1999:blog-2571473411747931933.post-12576641263044050862010-06-02T14:17:04.098-04:002010-06-02T14:17:04.098-04:00D6/9 (D F# B E) = E9 no 3rd,A 11 no 3rd,Bm7 sus4.(...D6/9 (D F# B E) = E9 no 3rd,A 11 no 3rd,Bm7 sus4.(A6/9 no 3rd =A ,F# B E as in the video)<br />Relative to A blues ( A C D Eb E G) ,C maj7 b5 (Cmaj7#11) G6 or Gmaj7 and the b5 of A = Eb,D# is a bit easier here' so Bsus4 in 1st inversion.<br />The 6/9 chord as you take it through the blues scale either suspends the chord or adds the 'upper structure' harmony(9,11,13=2,4,6 1 octave higher). I think one key here becomes hearing the leading tones(the half step moves) to the 'next' chord.Resolve to resolve!ericfredenburghhttp://comcast.netnoreply@blogger.com